While I technically grew up in the 70s, that wave of nostalgia meant nothing to me, as I wasn't really into pop culture things at 8, when they ended. I suppose if, instead of flared jeans, people had gotten back into Garanimals, I'd've been all over it. But really, I'm a child of the 80s.
Two relics of that era, Optimus Prime and John McClane have bashed their way back onto the big screen – how do they hold up?
First, Transformers. Unfortunately, this is a bit like discovering a slice of limburger that you left in your toy chest 20 years ago. Full disclosure – I read the script for this a year and a half ago, so some of the issues weren't a big surprise. Also, I saw a screening about a week ago, but didn't want to run afoul of NDAs and such. Because what I would have posted is that this was a mess.
I used to consider myself a shameless Michael Bay fan, but over time I've realized that it really means I just liked Armageddeon. He puts big robots on the screen pretty well in this one, but everything else is a disaster. The plot has holes you could drive an Optimus Prime-size semi thru, most of the performances (particularly Jons Voight and Tuturro) are abysmal, and the pacing drags on and on. At some point, someone will rip the fight scenes off the DVD – that's worth a watch, but otherwise... not so much.
Live Free or Die Hard, however, is a pleasant surprise. It doesn't really feel like "a Die Hard movie," in that he's not trapped alone in a building – it's more like
Die Hard with a Vengeance in that
Bruce Willis (with sidekick) are thrown together in a sprawling adventure. Full disclosure #2: I saw this movie at the end of what friends and I called "DH-Day," where we watched the first three movies before wrapping up the evening with number four.
Yippee-ki-yay.
But here's the thing – part four is fun. McClane has aged well, and they've acknowledged the fact that he's not twenty years younger. Justin Long as the hapazard associate is funny without being Richard Pryor in Superman III. The (mostly practical) stunts are spectacular, even tho they start to strain credibility pretty quickly. For sequels like these, much of their job is just to not piss all over the franchise, and never fear – this isn't Blues Brothers 2000 or Phantom Menace. It's a solid shot of old-school adrenaline that's definitely worth a watch.